Nemo was, essentially, Taken for kids. As we've seen in tons of other animated tales about the animal kingdom, it's a jungle out there! Or in this case, an ocean. Pixar created an underwater world so beautiful and vast that we actually couldn't imagine how Marlin would ever find Nemo, but the film's message, which could be found somewhere between "remaining cautious" and "embracing ambition," was a strong enough current to carry us through.
From epic chase scenes and explosions to the subtle way a chain link fence bends under a person's weight, Akira is lovingly and lavishly detailed. The story offers plenty to keep the mind occupied, with a futuristic vision of Tokyo, rival biker gangs, and heady explorations of power and responsibility. This legendary anime has it all.
The story of Andy moving on to college, leaving Woody and Buzz and the gang dealing with a great, understated villain in Lots-O'-Huggin' Bear at the new daycare center home, is the most fun of the Toy Story films. It works as a drama, a comedy and an action film – a trifecta of storytelling that live-action Hollywood should take pointers from. So many moments – character moments, mind you – crossover into "great" or "perfect" status, and the last fifteen minutes are some of the strongest work the studio has ever done. (A quiet moment of holding hands in the face of horror? Andy's final decision? Big. Fat. Tears.)
The movie is pure wonder wrapped in joy. Anyone who slings anti-praise its way (*gauntlet slaps Armond White*) is some kind of wrong person.
The premise is simple – a young girl named Chichiro embarks on a journey through a fantastical realm to save her parents. That premise is fodder for varied and imaginative characters, bedazzling visuals, a rousing musical score, and a charming tale about love, determination, and growing up. As a complete package, Spirited Away is the cream of the Studio Ghibli crop.
A hero to emo and goth teens everywhere, Jack, the Pumpkin King of Halloweentown, has grown bored with the confines of his holiday and wants to show the world an improved version of Christmas. In the end, he discovers the value in being true to himself and finds love with a devoted rag doll named Sally.
Though Burton's name appears above the title (and the idea sprung from his imagination), underrated director Henry Selick should get at least some of the credit for this stop-motion masterpiece. The charming character designs, innovative animation and Danny Elfman's haunting musical score should take the rest.
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