Thứ Sáu, 2 tháng 12, 2011

'Muppets' to rule slow post-Thanksgiving weekend

The Muppets is expected to win the weekend at the box office


After a glut of family films opened over the Thanksgiving holiday, no new movies are slated to hit theaters nationwide this weekend — leaving a clan of felt "Muppets" to rule the box office.
The post-Turkey Day weekend has traditionally been one of the slowest moviegoing periods of the year,  as Americans emerge from their tryptophan-induced hazes and begin their holiday shopping. In 2010, it was the second-lowest-grossing weekend of the year, according to Box Office Mojo.
This weekend, Walt Disney Studios' modern spin on "The Muppets" is expected to ring up about $20 million in ticket sales, according to those who have seen pre-release audience surveys. The film got off to a respectable start over the five-day holiday with $41.5 million, and should benefit from strong word-of-mouth.
Audiences who saw the well-reviewed picture praised it with an average grade A, according to market research firm CinemaScore.
The other family movies that opened Thanksgiving — "Hugo" and "Arthur Christmas" — will have to battle the popular sequel "The Twilight Saga: Breaking Dawn — Part 1" for runner-up honors this weekend. The fourth vampire film in the successful franchise has so far collected nearly $230 million in the U.S and almost $290 million more overseas.
As for "Arthur Christmas," despite its weak opening of just $16.3 million over five days, Sony Pictures is hopeful the movie will hold up well as Christmas approaches.
The film has been beloved by critics, and audiences assigned it a CinemaScore of A-, but still it remains to be seen whether that buzz will translate into stronger ticket sales.
Sony believes the animated 3-D flick, which cost about $100 million to produce, has the potential to follow in the footsteps of 2004's family film "The Polar Express," but that may be wishful thinking. That movie had a soft opening but ultimately grossed nearly $200 million domestically — a rare feat.
"Hugo," meanwhile, will expand from 1,277 theaters to more than 1,800 this weekend. Over the five-day holiday, the pricey 3-D movie directed by Martin Scorsese started off with just $15.4 million.
But Paramount Pictures, which is distributing the movie based on the children's book "The Invention of Hugo Cabret," decided to roll out the movie slowly in an attempt to capitalize on the film's critical acclaim. On Thursday, "Hugo" was named best film of the year by the National Board of Review.
While last year's Oscar-winning "The King's Speech" followed a similar trajectory — expanding its run as it drew awards attention — that film was far less expensive to produce. "Hugo" cost independent producer Graham King between $150 million and $170 million to make, and tens of millions of additional dollars are being spent to market and distribute the picture.
In limited release, Fox Searchlight will open the NC-17-rated drama "Shame" in nine theaters in five cities this weekend, including Los Angeles, New York and Chicago.

Nathan Fillion to Voice Hal Jordan in "Justice League: Doom"



Nathan Fillion, star of ABC's hit series "Castle" and long time geek friendly actor, is returning to the role of Hal Jordan in the direct to video Warner Brothers animated feature "Justice League: Doom" which is slated to be released in early 2012.  Fillion first voiced Hal Jordan in "Green Lantern: Emerald Knights" and was the first choice by many fans for the role in the live action film, spurring one fan to make a faux trailer for the film.  Bruce Timm is producing the film based on the popular Mark Waid story "Tower of Babel" and created from the last script penned by the late Dwayne McDuffie.  Kyle Rayner was the Green Lantern in the original story which focused on Batman's secret plans to deal with members of the Justice League should they go rogue being stolen and used by a group of super villains.

Voicing characters in the movie are a cast of actors very familiar to fans of the DC Animated Universe.  Tim Daly (Superman) , Kevin Conroy (Batman), Michael Rosebaum (Flash), Susan Eisenberg (Wonder Woman), and Carl Lumbly (Martian Manhunter) all return to the roles they created in the Superman, Batman and Justice League animated series.  Actor Bumper Robinson will be voicing Cyborg

More "Justice League: Doom" Casting News




A scene from "Justice League: Doom"
Yesterday we learned that Nathan Fillion was among the cast for the 2012 DC Universe animated feature "Justice League: Doom", returning to the role of Green Lantern Hal Jordan alongside a cast of  voices very familiar to DC animation fans.  Today Warner Brothers makes another announcement about the voice casting for the direct to video release which reveals some of the villains that will be up against the Justice League and even more voice talent that will make fans happy.

Vandal Savage will appear, voiced by Phil Morris (Smallville), Olivia d’Abo (The Wonder Years) as Star Sapphire, and Alexis Denisof (Angel) as Mirror Master.  Also opposing our heroes are Carlos Alazraqui (Reno 911) as Bane, Paul Blackthorne (The Dresden Files) as Metallo, and Claudia Black (Farscape, Stargate SG-1) as Cheetah. David Kaufman (Danny Phantom) also reprises his Justice League role of Jimmy Olsen.  The voice casting for the Royal Flush Gang have not been announced yet. 

Warner Home Video will premiere the Justice League: Doom trailer during its presentation at New York Comic Con on Friday, October 14 from 3:00-4:00 p.m. in the IGN Theater. Also premiering during that session will be the Catwoman animated short that is attached to Batman: Year One, the next DC Universe Animated Movie which releases on October 18

Blu-Ray Back Cover Confirms Nine Minutes Added to Extended Cut



The home video release of the Green Lantern film is just weeks away and today courtest of the DCUMoviepage we have an image of the back cover of the Blu-ray combo pack that includes the extended cut of the movie.  The details on the back confirm the previously released information about the extended cut running nine minutes longer, however we still don't know what those new nine minutes include.  However we now know that the blu-ray will include eight featurettes, character biographies, storyboards and a picture in picture commentary track when it releases on October 14th.

Green Lantern Animated Series to Debut at NYCC



Fans attending the New York Comic Con in October will have the opportunity to be among the first to see the Cartoon Network CGI Green Lantern animated series.  Bruce Timm will be in attendance at the convention to unveil the new show and participate in a question and answer session with fans.

Here's the official information on the debut from the NY Comic Con

SATURDAY, OCTOBER 15 * 10:30–11:30 a.m. Green Lantern: The Animated Series World Premiere Screening and Conversation with Bruce Timm — World-renowned producer, artist, animator and Comic Con favorite Bruce Timm (Batman: The Animated Series) will be on hand to unveil Green Lantern: The Animated Series, his latest television project from Warner Bros. Animation, coming soon to Cartoon Network. New York Comic Con attendees will be treated to the world premiere screening of this all-new CG action-adventure animated series, and will take part in a moderated Q&A with an animation icon. Room 1A10 * 1:30–2:00 p.m. Green Lantern: The Animated Series Signing at the DC Comics booth #1254.

Top 10 Live Action Anime Films



I can’t describe how many times I thought ‘whoah!’ it’s one of those moments that could only ever happen in cartoons or ‘whoa!’ that was anime level crazy! This film set out to create a literal live action adaptation of a lovable & cheesy retro cartoon anime. That’s exactly what it did. Above everything else, this movie is a visual feast that stays true to the cartoon. I think it is really unfortunate that so many critics are complaining about the visuals in this movie, because I think that they are truly fantastic. I can safely say that I have never seen another movie like this one, and I feel that so many movies are going to try to do what this movie did.



The story almost mirrors the cartoon which is based on the four nations, which rules the world and the members of each nation have the control of one of the four elements: fire, air, water, and earth.  Say what you want about M. Night but he knows how to assemble an action scene. I’ll admit there are one or two very minor things that this movie improved on over the show. On a technical level, the film is pretty much perfect. The sets, costume designs, and visual effects are all commendable. Ironically, I was so ready to rip apart Jaden Smith in Karate Kid last week but ended up loving the film, yet with Airbender, I can’t remember the last time I’ve seen child acting this poor. Still, given the topic of conversation, this film actually lands a place one notch up from Speed Racer on the enjoyment scale.



There’s a fond place in my heart for Initial D. My first car in high school actually resembled the car the main character had in the original anime series. Thus, kicked off my initial interest in the world of car racing. While the anime stayed fairly close to the manga, this live action movie makes plenty character and plot changes. The storyline is basic but enjoyable, with the main characters getting a decent amount of screen time. However, what sets the movie apart is the cars! I am a car nut, and I love the way the cars, ranging from the RX-7 to the Trueno, were cleanly built and well crafted to fit the mold from the anime. Was it faithful to the anime or manga? I think the directors did very well with the film, capturing the geekiness of Takumi’s friends and the racing was just fun to watch.



The live action version of the animated short, Blood: The Last Vampire is a disjointed movie about Saya and her weird adventures in 1970 Tokyo hunting the demoness Onegin. It has almost all the elements of the anime movie in the firstpart, then some changes they inserted in the second half of the movie. I don’t want to contain spoilers, but it has more flashbacks related to Saya’s past and about her revenge. The start of the Live Action Movie was exactly the same as the Original Animated Movie. Having the train scene at the beginning was a great way to instantly pull fans of the Anime into the movie and get them into that familiar world of the Blood series. The lead actress did a good job and although slightly dissapointed overall, I think viewing this movie is necessary to cure your curiousity if you’re a fan of the anime movie.



Death Note is based on the popular manga and loosely based on the anime series of the same name. eath Note reflects why imperfect human beings should not a high amount of power because men are fallible, vulnerable to desires and prone vanity. You see an almost accurate telling of one persons corruption and descent into madness. The suspense is more cerbral than visual with a very solid structure. Death Note takes place over the span of 12 episodes in the anime, which comes out to about a running time of a little over four hours as compared to the two hours of the movie. Needless to say, I was afraid the plot or characters were going to be underdeveloped and it would all fall apart under the weight of what it was trying to accomplish. A bit uneven here and there, but overall, still a fun ride.  A must see and own for any anime fan, let alone, any Death Note fan.



Space Battleship Yamato is a live action film adaptation of the original Space Battleship Yamato anime TV series. It was released in Japan on December 1, 2010 and debuted at number 1 on the Japanese box-office, ousting Harry Potter and the Deathly Hallows. The year is 2199, and the Earth has been under radioactive siege from extraterrestrials known as the Gamilas for five years. The Earth’s surviving population has moved underground to escape the bombardment, but the contamination is slowly penetrating to reach them. The last space battleship of the exhausted Earth Defense Forces, Yamato, sets out on a journey to Iscandar, a planet located in the Large Magellanic Cloud, to acquire a device that can heal the ravaged Earth before it is too late. A great thrill ride to wrap up 2010!



I’d like to direct your attention to FUNimation’s Shinobi: Heart Under Blade, a live-action, anime-influenced extravaganza!  Shinobi is one of the few live-action films I’ve seen that have nailed the style, pacing, and tone of Japanese anime. The film is saturated with epic melodrama and poetic dialogue and leaps into motion when blades are drawn and battles are fought. Enough blood and serious violence is present to merit an R rating, but there are certainly more graphic martial arts movies out there.



Mushishi is deeply complex at times, and often drifts into the realms of the incomprehensible. Set at the turn of the 20th century, it follows a young man by the name of Ginko, who travels all over Japan, studying Mushi. As far as I could tell, Mushi, rather than being plain old insects, are tiny creatures with some kind of magical force. They’re a necessary part of life, but they often have negative effects on humans. Fans of the franchise should find lots to like here as much of the material comes right out of the anime and manga. It’s a beautiful piece of work, roaming languidly through lush leafy forests, pale misty light, and deep woodland ponds fringed with trees. The beauty of most of it makes the horrific parts even darker and more ghastly.



This is a film that is based off the popular anime series of the same name, in which Kei Kurono is nothing like the character from the anime. I think that a lot of fans are going to debate this film, but movie was two hours long and covered a lot both anime and manga sides.  A major difference I noticed also was that the action and sex is heavily toned down. The manga, after all, is famous mostly for how incredibly over-the-top it is in terms of violence, nudity, and the tendency to present humanity as being pretty reprehensible. This live action incarnation is a slightly mixed bag of sci-fi goodness for genre devotees. If you haven’t seen the anime TV series or the manga I would say read the manga from the beginning. That way you’ll really understand what the dark, twisted, cruel, ruthless, confusing, sci-fi story is about.



At first viewing I was a little disappointed with Casshern, but when I finally came to terms with what this film really was, I found myself more willing to accept it. Upon my 2nd viewing, I fell in love with the film’s mythology.  This film made me think I was watching a live action anime, which is neither good or bad. First-time film director Kazuaki Kiriya has an undeniable gift for visuals. From the luscious green trees of the “forest” to the industrial wasteland, each backdrop is brought to life with elegance and beauty. However, at the same time it can become exhausting. At the end of it all, this film triumphs and is a rollercoaster ride one will want to take.



There you go folks! Sound off in the comment section with thoughts, opinions, and of course, your OWN top 10 list. Until next time…


I can’t describe how many times I thought ‘whoah!’ it’s one of those moments that could only ever happen in cartoons or ‘whoa!’ that was anime level crazy! This film set out to create a literal live action adaptation of a lovable & cheesy retro cartoon anime. That’s exactly what it did. Above everything else, this movie is a visual feast that stays true to the cartoon. I think it is really unfortunate that so many critics are complaining about the visuals in this movie, because I think that they are truly fantastic. I can safely say that I have never seen another movie like this one, and I feel that so many movies are going to try to do what this movie did.



The story almost mirrors the cartoon which is based on the four nations, which rules the world and the members of each nation have the control of one of the four elements: fire, air, water, and earth.  Say what you want about M. Night but he knows how to assemble an action scene. I’ll admit there are one or two very minor things that this movie improved on over the show. On a technical level, the film is pretty much perfect. The sets, costume designs, and visual effects are all commendable. Ironically, I was so ready to rip apart Jaden Smith in Karate Kid last week but ended up loving the film, yet with Airbender, I can’t remember the last time I’ve seen child acting this poor. Still, given the topic of conversation, this film actually lands a place one notch up from Speed Racer on the enjoyment scale.



There’s a fond place in my heart for Initial D. My first car in high school actually resembled the car the main character had in the original anime series. Thus, kicked off my initial interest in the world of car racing. While the anime stayed fairly close to the manga, this live action movie makes plenty character and plot changes. The storyline is basic but enjoyable, with the main characters getting a decent amount of screen time. However, what sets the movie apart is the cars! I am a car nut, and I love the way the cars, ranging from the RX-7 to the Trueno, were cleanly built and well crafted to fit the mold from the anime. Was it faithful to the anime or manga? I think the directors did very well with the film, capturing the geekiness of Takumi’s friends and the racing was just fun to watch.



The live action version of the animated short, Blood: The Last Vampire is a disjointed movie about Saya and her weird adventures in 1970 Tokyo hunting the demoness Onegin. It has almost all the elements of the anime movie in the firstpart, then some changes they inserted in the second half of the movie. I don’t want to contain spoilers, but it has more flashbacks related to Saya’s past and about her revenge. The start of the Live Action Movie was exactly the same as the Original Animated Movie. Having the train scene at the beginning was a great way to instantly pull fans of the Anime into the movie and get them into that familiar world of the Blood series. The lead actress did a good job and although slightly dissapointed overall, I think viewing this movie is necessary to cure your curiousity if you’re a fan of the anime movie.



Death Note is based on the popular manga and loosely based on the anime series of the same name. eath Note reflects why imperfect human beings should not a high amount of power because men are fallible, vulnerable to desires and prone vanity. You see an almost accurate telling of one persons corruption and descent into madness. The suspense is more cerbral than visual with a very solid structure. Death Note takes place over the span of 12 episodes in the anime, which comes out to about a running time of a little over four hours as compared to the two hours of the movie. Needless to say, I was afraid the plot or characters were going to be underdeveloped and it would all fall apart under the weight of what it was trying to accomplish. A bit uneven here and there, but overall, still a fun ride.  A must see and own for any anime fan, let alone, any Death Note fan.



Space Battleship Yamato is a live action film adaptation of the original Space Battleship Yamato anime TV series. It was released in Japan on December 1, 2010 and debuted at number 1 on the Japanese box-office, ousting Harry Potter and the Deathly Hallows. The year is 2199, and the Earth has been under radioactive siege from extraterrestrials known as the Gamilas for five years. The Earth’s surviving population has moved underground to escape the bombardment, but the contamination is slowly penetrating to reach them. The last space battleship of the exhausted Earth Defense Forces, Yamato, sets out on a journey to Iscandar, a planet located in the Large Magellanic Cloud, to acquire a device that can heal the ravaged Earth before it is too late. A great thrill ride to wrap up 2010!



I’d like to direct your attention to FUNimation’s Shinobi: Heart Under Blade, a live-action, anime-influenced extravaganza!  Shinobi is one of the few live-action films I’ve seen that have nailed the style, pacing, and tone of Japanese anime. The film is saturated with epic melodrama and poetic dialogue and leaps into motion when blades are drawn and battles are fought. Enough blood and serious violence is present to merit an R rating, but there are certainly more graphic martial arts movies out there.


Mushishi is deeply complex at times, and often drifts into the realms of the incomprehensible. Set at the turn of the 20th century, it follows a young man by the name of Ginko, who travels all over Japan, studying Mushi. As far as I could tell, Mushi, rather than being plain old insects, are tiny creatures with some kind of magical force. They’re a necessary part of life, but they often have negative effects on humans. Fans of the franchise should find lots to like here as much of the material comes right out of the anime and manga. It’s a beautiful piece of work, roaming languidly through lush leafy forests, pale misty light, and deep woodland ponds fringed with trees. The beauty of most of it makes the horrific parts even darker and more ghastly.



This is a film that is based off the popular anime series of the same name, in which Kei Kurono is nothing like the character from the anime. I think that a lot of fans are going to debate this film, but movie was two hours long and covered a lot both anime and manga sides.  A major difference I noticed also was that the action and sex is heavily toned down. The manga, after all, is famous mostly for how incredibly over-the-top it is in terms of violence, nudity, and the tendency to present humanity as being pretty reprehensible. This live action incarnation is a slightly mixed bag of sci-fi goodness for genre devotees. If you haven’t seen the anime TV series or the manga I would say read the manga from the beginning. That way you’ll really understand what the dark, twisted, cruel, ruthless, confusing, sci-fi story is about.



At first viewing I was a little disappointed with Casshern, but when I finally came to terms with what this film really was, I found myself more willing to accept it. Upon my 2nd viewing, I fell in love with the film’s mythology.  This film made me think I was watching a live action anime, which is neither good or bad. First-time film director Kazuaki Kiriya has an undeniable gift for visuals. From the luscious green trees of the “forest” to the industrial wasteland, each backdrop is brought to life with elegance and beauty. However, at the same time it can become exhausting. At the end of it all, this film triumphs and is a rollercoaster ride one will want to take.



There you go folks! Sound off in the comment section with thoughts, opinions, and of course, your OWN top 10 list. Until next time…